In the past three issues of ArteActa, we have presented interviews with theorists and/or practitioners of sound design for film. After we interviewed Michel Chion, we were interested in adding more content dedicated to the practice of sound design for film. That’s how we also decided to interview Marie-Jeanne Wyckmans and Paul Davies. However, we thought it would make sense to close the cycle by interviewing someone from the Czech scene, simply to shed light on the rich audiovisual environment that we – artists, practitioners, and technicians – live here. At the same time, we would hope to dissipate a few misconceptions and misunderstandings about sound design.