ArteActa 2020, 4:41-52 | DOI: 10.62804/aa.2020.003

"Positions of Trust". Drafting Gender/Class

Veronika Darian

The study takes Bertolt Brecht's short story The Job or By the Sweat of Thy Brow Shalt Thou Fail to Earn Thy Bread (Der Arbeitsplatz oder Im Schweiße Deines Angesichts sollst Du kein Brot essen) from 1933 as a starting point to discuss matters of gender and class between the two World Wars in Germany. Brecht refers to a true and characteristic event of that time when a woman was forced to take over her husband's working place after his death, unrecognized, in order to ensure the survival of her family. She becomes a man in all her habits and attitudes in public as in private situations, but society perceives her as a "monstrosity" - not least because of her/him pointing to socio-political difficulties and economic challenges of these times by undermining social and gender affiliations. The different (re)presentations and narratives of the same story - on the one hand by the two authors Bertolt Brecht and Anna Seghers, on the other by the sensation-seeking yellow press - refer to the socio-political explosiveness of the attribution of gender roles within the framework of economic realities. Especially in Brecht's version, artistic strategies of estrangement (Verfremdung) are used for this purpose, focusing on the figure of the woman which turns out to be alienated even in two ways - firstly by the inhuman economic circumstances, secondly by an unpitying, unemphatic society.

Klíčová slova: Bertolt Brecht, Gender change, Labour, Der Arbeitsplatz, The Job, Anna Seghers, Estrangement, Verfremdung, Alienation, Gender roles, Narrativity, Intertextuality, Socio-politics, Class

Zveřejněno: 15. prosinec 2020  Zobrazit citaci

ACS AIP APA ASA Harvard Chicago Chicago Notes IEEE ISO690 MLA NLM Turabian Vancouver
Darian, V. (2020). "Positions of Trust". Drafting Gender/Class. ArteActa3(4), 41-52. doi: 10.62804/aa.2020.003
Stáhnout citaci

Reference

  1. Bertolt Brecht. On Experimental Theatre. Translated by Marc Silberman and John Willett. In: Brecht on Theatre. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Third Edition. London: Bloomsbury, 2015, p. 143. Přejít k původnímu zdroji...
  2. Anna Seghers. Der sogenannte Rendel [1940]. In: Argonautenschiff. Jahrbuch der Anna-Seghers-Gesellschaft Berlin und Mainz e.V. 3. Berlin - Weimar: Aufbau-Verlag, 1994, p. 92.
  3. Bertolt Brecht. The Job or By the Sweat of Thy Brow Shalt Thou Fail to Earn Thy Bread. Translated by Hugh Rorrison. In: Bertolt Brecht. Short Stories 1921-1946. The Berlin Stories (1924-1933). Edited by John Willett and Ralph Manheim. London - New York: Methuen, 1983, p. 112.
  4. Bertolt Brecht. Der Arbeitsplatz oder Im Schweiße Deines Angesichts sollst Du kein Brot essen. In: Bertolt Brecht. Werke. Vol. 19. Edited by Werner Hecht - Jan Knopf - Werner Mittenzwei - Klaus-Detlef Müller. Berlin - Weimar - Frankfurt am Main: Suhrkamp, 1997, p. 345.
  5. Zwölf Jahre als Mann verkleidete Frau. In: Ein Buch für Alle. 1932, Issue 1.
  6. Jan Knopf. Brecht-Handbuch. Lyrik, Prosa, Schriften. Eine Ästhetik der Widersprüche. Stuttgart: Metzler, 1984. Přejít k původnímu zdroji...
  7. Siegfried Mews. Der Arbeitsplatz oder Im Schweiße Deines Angesichts sollst Du kein Brot essen. In: Jan Knopf (ed.). Brecht-Handbuch. Vol. 3. Prosa, Film, Drehbuch. Stuttgart - Weimar: Springer, 2002, pp. 220-227.
  8. Werner Hecht. Brecht-Chronik 1989-1956. Darmstadt: Wissenschaftliche Buchgesellschaft, 1997.
  9. Kirsten Boie-Grotz. Brecht - der unbekannte Erzähler. Die Prosa 1913-1934. Stuttgart: Klett-Cotta, 1978.
  10. Bertolt Brecht. Werke. Bd. 21. Schriften I. Große Berliner und Frankfurter Ausgabe. Edited by Jan Knopf - Werner Mittenzwei - Klaus-Detlef Müller. Berlin - Frankfurt am Main: Suhrkamp, 1992.
  11. Veronika Darian. Strange(rs) Among Strangers. Some Remarks. In: The Brecht Yearbook 45 / Das Brecht-Jahrbuch 45. Selected proceedings from the IBS's 16th Symposium (Leipzig, June 2019) on Brecht Among Strangers / Brecht unter Fremden. Ed. by Markus Wessendorf. Guest editors Micha Braun - Günther Heeg - Vera Stegmann. Rochester, New York - Woodbridge, Suffolk: Camden House, 2020. Přejít k původnímu zdroji...
  12. Bertolt Brecht. The Good Person of Szechwan. Translated by John Willett. Edited by Tom Kuhn and Charlotte Ryland. London - New Delhi - New York - Sydney: Bloomsbury, 2009. Přejít k původnímu zdroji...
  13. Elisabeth Wright. The Good Person of Szechwan. Discourse of a Masquerade. In: Peter Thomson - Glendyr Sacks (eds.). The Cambridge Companion to Brecht. Cambridge: Cambridge University Press, 1994, p. 121.
  14. Frederick Engels. The Origin of the Family. Private Property, and the State. Edited and with an introduction by Eleanor Leacock. Based on the translation by Alex West published in 1942. New York: International Publishers, 1972.
  15. Ana Kugli. Feminist Brecht? Zum Geschlechterverhältnis im Werk Bertolt Brechts (Forum Deutsche Literatur 6). München: Verlagsbuchhandlung Martin Meidenbauer, 2006.
  16. Alexander Stephan. Anna Seghers im Exil. Essays, Texte, Dokumente. Bonn: Bouvier, 1993.

Tento článek je publikován v režimu tzv. otevřeného přístupu k vědeckým informacím (Open Access), který je distribuován pod licencí Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0), která umožňuje nekomerční distribuci, reprodukci a změny, pokud je původní dílo řádně ocitováno. Není povolena distribuce, reprodukce nebo změna, která není v souladu s podmínkami této licence.