ArteActa 2026, 15

Conversations with the Mangrove – A Speculative Design Proposition Towards A Sympoiesis with Extended Digital and Physical Ecologies 

Andrew Burrell
University of Technology Sydney

This paper, presented as a hybrid of creative practice-based research and critical enquiry, asks the question: “How might we, through creative interventions and critical design practice, form intervening positions of and for more-than-human communication?” It introduces a proposed speculative design methodology of Xenomancy, and demonstrates this in practice along with a number of its methods. “Conversations with the Mangrove” is seeking to understand and engage with the more-than-human networks of both digital and physical ecologies. The process involves building relationships with diverse entities, including animals, trees, and rivers, through methods such as walking the landscape, recording, and engaging with digital tools as means of reflection and divination. The goal is to find voices in these networks, acknowledging the impossibility of fully capturing their complexity. The project emphasises imagination, persistence, and the long-term journey of transforming the relationship between humans, technology, and the environment.

Klíčová slova: more-than-human, sympoiesis, xenomacy, artificial intelligence, ekology, ecological consciousness

Zveřejněno: 14. červenec 2026  Zobrazit citaci

ACS AIP APA ASA Harvard Chicago Chicago Notes IEEE ISO690 MLA NLM Turabian Vancouver
Burrell, A. (2026). Conversations with the Mangrove – A Speculative Design Proposition Towards A Sympoiesis with Extended Digital and Physical Ecologies . ArteActa9(15), 


EXPOSITION IN RESEARCH CATALOGUE

References

Allison, Leanne, and Jeremy Mendes, dirs. 2012. Bear 71 (Interactive documentary). National Film Board of Canada.  
Bardzell, Jeffrey, and Maliheh Ghajargar. 2025. “Alterity and Kinship: Co-Writing Posthumanist Speculative Nonfiction with AI.” Interacting with Computers, March 25, iwaf013. https://doi.org/10.1093/iwc/iwaf013.  
Bateson, Gregory. 1972. Steps to an Ecology of Mind. Intertext.  
Benson, Doug. 2025. 10d Cooks River MANGROVES CRVA Talk Enlarged. https://doi.org/10.13140/RG.2.2.29691.02089.  
Burrell, Andrew. 2005. “Notes from the End of Time: Memory, Collecting and Narrative.” University of Sydney. Accessed June 1, 2026. https://andrewburrell.net/projects/notes-in-preparation-for-the-end-of-time.
Burrell, Andrew. 2012. overGround:underStory. Digital media, storytelling, performance. Accessed June 1, 2026. https://andrewburrell.net/projects/overground-understory
Burrell, Andrew. 2023. “Towards Accessible, Open, and Ethical Design-Led Digital Humanities Visualization Projects on the Web.” Digital Studies / Le Champ Numérique 13 (3). https://doi.org/10.16995/dscn.9597.
Burrell, Andrew. 2024(A). “overGround:underStory—More-than-Human Storytelling with Silicon and Carbon Kin.” Paper presented at the International Symposium on Electronic Art, Brisbane, Australia. International Symposium on Electronic Art (ISEA) 2024 Proceedings.
Burrell, Andrew. 2024(B). “Towards a Photographic Representation of the Experience of Seeing: Synthetic Views via Neural Radiance Fields.” Philosophy of Photography 15 (1): 79–93. https://doi.org/10.1386/pop_00093_1.
Burrell, Andrew. 2025. Miner’s Journey. Video, website, installation. Accessed June 1, 2026. https://andrewburrell.net/projects/miners-journey.
Callaghan, Colleen A. 1991. “The Botany-Rockdale Sewage Farm. A Case Study in Urban Archaeology.” Honours Thesis, University of Sydney.  
Castellano, Katey. 2018. “Anthropomorphism in the Anthropocene. Reassembling Wildlife Management Data in Bear 71.” Environmental Humanities 10 (1): 171–86. https://doi.org/10.1215/22011919-4385516.  
Crone, Bridget, Sam Nightingale, and Polly Stanton, eds. 2024. Fieldwork for Future Ecologies: Radical Practice for Art and Art-Based Research. Second edition. Onomatopee 225. Onomatopee.  
Cuboniks, Laboria. 2018. “Xenofeminism: A Politics for Alienation | Laboria Cuboniks.” https://laboriacuboniks.net/manifesto/xenofeminism-a-politics-for-alienation/.  
Dement (aka Johnson), Linda. 2024. “Xeno AI. How Can Creative Arts Practice Express Disalienation of an AI System?” Doctorate by Research, RMIT University. https://doi.org/10.25439/rmt.28657115.  
Gagliano, Monica. 2018. Thus Spoke the Plant: A Remarkable Journey of Groundbreaking Scientific Discoveries and Personal Encounters with Plants. North Atlantic Books.  
Hallnäs, Lars, and Johan Redström. 2001. “Slow Technology – Designing for Reflection.” Personal and Ubiquitous Computing 5 (3): 201–12. https://doi.org/10.1007/PL00000019.  
Haraway, Donna Jeanne. 2008. When Species Meet. Posthumanities 3. University of Minnesota Press.  
Haraway, Donna Jeanne. SF: Science Fiction, Speculative Fabulation, String Figures, So Far. Acceptance speech for the Pilgrim Award of the Science Fiction Research Association, July 2001, 29:04 minutes. Accessed July 1, 2025. https://vimeo.com/28892350.
Haraway, Donna Jeanne. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press.  
Hayles, N. Katherine. 2017. Unthought: The Power of the Cognitive Nonconscious. The University of Chicago Press.  
Hayles, N. Katherine. 2025. Bacteria to AI: Human Futures with Our Nonhuman Symbionts. University of Chicago Press.  
Holten, Katie. 2023. The Language of Trees: How Trees Make Our World, Change Our Minds and Rewild Our Lives. Elliott & Thompson.  
Kohn, Eduardo. 2013. How Forests Think: Toward an Anthropology beyond the Human. University of California Press.  
Le Guin, Ursula K. 1974. "The Author of the Acacia Seeds and Other Extracts from the Journal of the Association of Therolinguistics." In The Ascent of Wonder: The Evolution of Hard SF, edited by Kathryn Cramer and David G. Hartwell. Tor.
Lockwood, Randall. 2023. “Anthropomorphism and Anthropocentrism in the Anthropocene.” In The Routledge International Handbook of Human-Animal Interactions and Anthrozoology, edited by Aubrey H. Fine, Megan K. Mueller, Zenithson Y. Ng, Alan M. Beck, and Jose M. Peralta. Routledge. https://doi.org/10.4324/9781032153346-7.  
Loo, Marjolein van der, ed. 2024. A Tree, a Reader on Arboreal Kinship. Onomatopee 258. Onomatopee.  
Madonna. 1989. “Like a Prayer.” Like a Prayer. Sire Records.  
Mancuso, Stefano. 2015. Brilliant Green: The Surprising History and Science of Plant Intelligence. With Alessandra Viola, Michael Pollan, and Joan Benham. Island Press.   
Meeker, Natania, and Antónia Szabari. 2020. Radical Botany: Plants and Speculative Fiction. Fordham University Press.  
Nani, Andrea, and Gabriele Volpara. 2024. “Different Kinds of Minds: From Bacteria to Plants and Animals.” In The Vegetal Turn, edited by Marcello Di Paola, vol. 38. The International Library of Environmental, Agricultural and Food Ethics. Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-68671-9_8.  
Potts, John. 2023. The Near-Death of the Author: Creativity in the Internet Age. University of Toronto Press.   
Stengers, Isabelle. 2021. “Ursula K. Le Guin, Thinking in SF Mode.” In The Legacies of Ursula K. Le Guin, edited by Christopher L. Robinson, Sarah Bouttier, and Pierre-Louis Patoine. Palgrave Studies in Science and Popular Culture. Springer International Publishing. https://doi.org/10.1007/978-3-030-82827-1_8.  
Strauss, Carolyn F. 2025. “For Slow Technology.” In Slow Technology Reader: A Tool for Shaping Divergent Futures. Edited by Carolyn F. Strauss. Valiz.  
Tsing, Anna Lowenhaupt, ed. 2017. Arts of Living on a Damaged Planet: Ghosts of the Anthropocene. University of Minnesota Press.  
Uexküll, Jakob von, Dorion Sagan, and Geoffrey Winthrop-Young. 2010. Foray into the Worlds of Animals and Humans: With a Theory of Meaning. Translated by Joseph D. O’Neil. Posthumanities. University of Minnesota Press.  
Van Dooren, Thom. 2010. “Pain of Extinction: The Death of a Vulture.” Cultural Studies Review 16 (2). https://doi.org/10.5130/csr.v16i2.1702.  
Yates, Frances Amelia. 1992. The Art of Memory. Pimlico.


Stáhnout citaci

Tento článek je publikován v režimu tzv. otevřeného přístupu k vědeckým informacím (Open Access), který je distribuován pod licencí Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0), která umožňuje nekomerční distribuci, reprodukci a změny, pokud je původní dílo řádně ocitováno. Není povolena distribuce, reprodukce nebo změna, která není v souladu s podmínkami této licence.