The project approaches the wolf myth as configured in the Little Red Riding Hood tale, engaging with its psychoanalytic interpretations and their heteronormative assumptions. Against this backdrop, I draw on diffractive methodology and feminist new materialism (Barad, Haraway, Butler) to explore desire not as a projected, one-directional drive but as a phenomenon – emergent, relational, and accountable. The exposition is structured as a nodal weave of photographs, propositions, and curious questions. These invite a non-linear reading in which theory, performance, and photography diffract through one another. In this way, the research gesture resides not only in the photographs but also in the very architecture of the exposition. Tender Proximities contributes to an understanding of desire as a diffractive phenomenon and to the development of methodologies for performative photography as a world-making practice through which relations between myth, body, and image can be experimentally explored as forms of proximity.
Published: July 14, 2026 Show citation
EXPOSITION IN RESEARCH CATALOGUE
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