ArteActa 2024, 12
The study focuses on the phenomenon of the actor’s existence on stage for himself, as explored and developed by the actor, teacher, writer, and psychologist Ivan Vyskočil in the discipline of dialogical acting with the inner partner in the 1970s and 1980s. Vyskočil’s acting pedagogy combines the basic elements of Stanislavsky’s system (public solitude; acting in given circumstances) and Jacob Levy Moreno’s psychodrama, to which he was introduced during his studies of psychology in the 1950s. In addition to Moreno’s notion of spontaneity, Vyskočil was inspired by different variants of enactment, acting out, and abreaction....
ArteActa 2024, 12
In this exposition, I invite you to the process of research carried out in the tapestry manufactory in Valašské Meziříčí. It aims to find out how to convey tapestries' craftsmanship, mediality and materiality through filming and post-production. The theme of transformation is essential: the transformation of the tapestry into a film image, but also the transformation of painting or graphics, which were the precursors of the tapestries woven in the manufactory. I am also looking for ways to use a primarily representational medium to achieve an effect of presence through materiality and corporeality. In my research, I interlace observational passages...
ArteActa 2024, 12
Disembodiment is not new and does not only exist because of the current technological reality. It is an experience that various practitioners, in the field of music, experience constantly. The composer/producer/musician/sound designer moves the material. The listener only perceives its virtual representation. How to bridge the gap between the bodily experience of sound creation and its fruition and further (re)creation in the virtual world? By using synesthesia in the creation of an object-based sound method and vocabulary with the use of lofi techniques. A synesthesia of sensory roots to place the body-cosmos at the centre of sound, to make this simulacrum...
ArteActa 2024, 12
This exposition, entitled The Possibilities of Applying Elements of Czech Folk Theatre to Contemporary Street Performing Art, presents the process and conclusions of artistic research that explored the phenomenon of Baroque folk theatre performed in neighbourhood communities in the Czech countryside in the 18th and 19th centuries and the search for the application of its principles in today's theatre activity. For this research, in cooperation with the Diocesan Museum of Brno, two street productions were created in the vicinity of the Cathedral of Saints Peter and Paul in Brno to test the functionality of the means of folk theatre in today's...
