ArteActa 2019, 3
ArteActa 2019, 3
ArteActa 2019, 3:57-84
ArteActa 2019, 3:7-40
The core of the article is a deconstructive analysis of the television oratorio Genesis (directed by Pavel Hobl, with music by Zbigniew Wiszniewski) which was a co-production of Czechoslovak Television and the German Zweites Deutsches Fernsehen in 1969. Employing the concepts of the voice-object and acousmêtre, the article presents the sound-component of the audio-visual object as an important narrative device. In the first part, the analysis focuses on the opening sequence of the television film, and, using it as a basis, describes the close interconnection of the audio and visual components. The article goes on to concentrate...
ArteActa 2019, 3:41-56
Franco Moretti is one of the classics of comparative literature and pioneers of digital research in literary criticism. His concept of "distant reading", formulated for the first time at the turn of the century, has determined the debate over the last twenty years on the benefits and risks of quantitative methods in the humanities. The present paper puts this concept in a broader context in three different directions. First of all, it follows its development, which it underwent in Moretti's work during his time at the Stanford Literary Lab. Second, it compares the results of the new methods - on the example of Shakespeare's Hamlet - with those...
ArteActa 2019, 3:85-98
ArteActa 2019, 3:99-110
ArteActa 2019, 3:111-121
